SEA AND MOON OF ONE RADIANCE - PALE PINK

At the southern end of the roads, Quanzhou unfolds like a theater of water and stone. Under the Song and Yuan dynasties, the harbor became covered with masts; Chinese junks, Arab dhows, and ships from the West brushed past each other with the rhythm of the tides. On the quays, bales were unloaded: silks, porcelain, peppers, incense, and with them languages, beliefs, and skills that learned to coexist.

Before each departure, the crew climbs Mount Jiurishan to perform traditional prayer rituals in the wind: offerings steam, flags flap, and the fate of the crews is entrusted to the heavens. Below, the Liusheng Pagoda stands like a stone beacon; its tiers, visible from the open sea, guide the ships toward the harbor entrances. In the city, the Qingjing Mosque blends religions with Chinese rooftops, a symbol of a cosmopolitan port where scholars, merchants, and sailors mingle.

Beneath the surface, the shadow of the Nanhai 1 lingers in memory: a sunken 12th-century hold, filled with porcelain, coins, and lacquerware. The motif evokes the idea of ​​a silent treasure, a history that lies dormant at the bottom of the sea before rising to the surface. Around it, seagulls, islands, sails, and boats create a continuous ballet; the lines of the swells weave the invisible map of routes to the Indian Ocean.

The composition adopts a panoramic narrative: from the jetty to the warehouses, from the pagodas to the minarets, each ship becomes a fragment of an epic. The sea is no longer a simple trade route; it is memory in motion, a bridge between worlds, where the moon, resting on the water, shares its brilliance with the taut sails, and where a new chapter of the Maritime Silk Road begins.